2022
Species (1)
2022
acrylic, marker, colored pencil, crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
acrylic, marker, colored pencil, crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
marker, colored pencil, crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
acrylic, marker, colored pencil, crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
acrylic, marker, colored pencil, crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
marker, colored pencil, crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
marker, colored pencil, crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
marker, colored pencil, crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
acrylic, marker, colored pencil, oil crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
acrylic, marker, colored pencil, oil crayon, and collage on paper, mounted on silver ink print
50 x 65 cm
2022
marker, colored pencil, crayon, collage on paper, mounted on silver ink print
50 x 65 cm
2018
pencil and colored pencil on paper
40 x 30 cm
2018
acrylic, marker, pencil, colored pencil on paper
29.7 x 21 cm
2018
pencil and colored pencil on paper
21 x 14.8 cm
2017
marker, pencil, colored pencil on paper
21 x 14.8 cm
2018
pencil and colored pencil on paper
21 x 29.7 cm
2017
watercolor, marker, colored pencil on paper
47.7 x 36 cm
2017
pencil and colored pencil on paper
21 x 29.7 cm
2017
acrylic on paper
60.7 x 42.9 cm
2017
marker, spray paint, colored pencil, pencil on paper
34 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
pencil, crayon, collage on paper
29.7 x 42 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, marker, pencil, colored pencil, oil pastel on paper
32.5 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, enamel, marker, colored pencil on paper
36 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker on canvas
65 x 80 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker, colored pencil, oil pastel, collage on paper
36 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, marker, collage on paper
36 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, marker, enamel, collage on paper
34 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker, collage on paper
34 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic and marker on paper
34 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic and marker on paper
34 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker on paper
34 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic on paper
34 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, enamel, marker, crayon, collage on paper
36 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, marker, pencil, colored pencil, oil pastel, collage on paper
36 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, oil pastel on paper
32.5 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker, colored pencil, oil pastel, collage on paper
36 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, enamel, marker, colored pencil, collage on paper
36 x 48 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker, oil pastel on canvas
50 x 65 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker, oil pastel on canvas
50 x 65 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017,
acrylic, spray paint, marker, crayon on canvas
60 x 80 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker on canvas
60 x 80 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker on canvas
65 x 80 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker, crayon, oil pastel, collage on canvas
65 x 80 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker, crayon, oil pastel on canvas
60 x 80 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2017
acrylic, spray paint, marker, crayon on canvas
60 x 80 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2016
acrylic, marker, crayon, pencil, collage on paper
42 x 29.7 cm
2016
acrylic, marker, crayon, pencil, collage on paper
54.3 x 39 cm
2016
acrylic, marker, crayon, pencil, collage on paper
54.3 x 39 cm
2016
pencil, ballpoint pen, ink on paper
42 x 29.7 cm
2016
watercolor, pencil, colored pencil on paper
30 x 40 cm
2016
acrylic, spray paint, marker, oil pastel on canvas
100 x 120 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2016
acrylic, spray paint, marker, oil pastel, colored pencil on canvas
100 x 120 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2016
acrylic, tape, spray paint, marker on canvas
50 x 60 cm
__________________
The CAPTCHA series takes the concept of computer-generated, distorted alphanumerical codes that users must decipher to prove they are human rather than bots as a basis for random abstraction. Pushing painting towards a vision test, these works address the problem of a ‘correct’ reading, both in terms of discerning human vision from computer vision and in looking at abstract art. The CAPTCHA’s algorithmic nature is juxtaposed with emotionally driven abstract painting, reflecting programmed image-making that appears arbitrary and creative but is in truth determined by constructive rules of image processing. This inherent contradiction becomes the starting point for an abstract painting method that engages with computer graphics while deliberately abstaining from using them.
2016
watercolor, marker, colored pencil, collage on paper
42 x 29.7 cm
2016
watercolor, colored pencil, crayon on paper
42 x 29.7 cm
2015
crayon, pencil, charcoal on paper
42 x 29.7 cm
2015
acrylic, pencil, crayon on paper
29.7 x 21 cm
2015
marker, ballpoint pen, pencil on paper
42 x 29.7 cm
2015
acrylic, marker, colored pencil on paper
49.8 x 34.7 cm
2015
marker, ballpoint pen, pencil on paper
42 x 29.7 cm
2015
marker, colored pencil, crayon, transparent foil on paper
42 x 29.7 cm
2015
marker, ballpoint pen, pencil on paper
42 x 59.4 cm
2015
marker, ballpoint pen, pencil on paper
42 x 59.4 cm
2015
marker, ballpoint pen, pencil on paper
42 x 59.4 cm
2015
marker, ballpoint pen, pencil on paper
42 x 59.4 cm
2015
acrylic, crayon, ballpoint pen on paper
21 x 29.7 cm
2015
acrylic, crayon, ballpoint pen on paper
21 x 29.7 cm
2015
acrylic and ballpoint pen on paper
21 x 29.7 cm
2014
marker, ink, pencil, collage on transparent paper
29.7 x 42 cm
2014
marker, ink, pencil, collage on transparent paper
29.7 x 42 cm
2013
watercolor, pencil, colored pencil on paper
34 x 24 cm
2013
marker and pencil on transparent paper
42 x 29.7 cm
2013
ballpoint pen, pencil, colored pencil on paper
29.7 x 21 cm
MD (L-R)
2013
acrylic, crayon, pencil on paper
29.7 x 21 cm x 2
MD
2013
ink, marker, collage on transparent paper
30 x 42 cm
MDMD
2013
ink, marker, enamel on paper
26 x 49 cm
MD
2013
colored pencil and collage on transparent paper
42 x 29.7 cm
L-R
2013
ballpoint pen and marker on paper
29.7 x 21 cm x 2
2012
acrylic, watercolor, crayon on paper
29.7 x 21 cm
2012
acrylic and colored pencil on paper
29.7 x 21 cm
2012
acrylic, marker and pencil on paper
29.7 x 21 cm
2010, Ce Jian, Andrew James Art, Shanghai, 2010, 52 p., softcover, 21 x 14 cm
Artist’s book and exhibition catalog for the solo show Marco Polo – A Travel Guide at Andrew James Art in Shanghai, realized during an artist residency at JIA Shanghai in 2010.
__________________
The Marco Polo travel guide series is especially popular among German tourists and has become a symbol of their curiosity about foreign places and cultures. For my Shanghai project, I took this guidebook as a manual and strictly followed each sightseeing recommendation like a good tourist, while learning about my own country of origin through foreign eyes.
The photos and materials collected along the way resulted in a large number of paintings, drawings and collages, part of which were used to create this new Marco Polo guidebook – a fragmentary and ironic recount of my personal “Shanghai experience”.
CONTENTS
I. Bund
1. The Shanghai Club
2. Old Lady On the Bank
3. Custom House
4. Peace Hotel
5. Chaplin Was Here (1-2)
6. Bank of China
7. Shanghai Mansions
II. The Old Town
8. The Old Town
9. My Itinerary
10. Chinese Garden (1)
11. Chinese Garden (2)
III. French Concession
12. Tricolore
13. Sun Yatsen Lived Here
14. Arts and Crafts Museum
15. Morris Estate
16. Fuxing Park (1-3)
IV. Pudong
17. High Buildings
18. View From Above
19. Pudong As Seen From Cheng Huang Miao
20. View From the Pearl Tower
21. Skyline
V. Culture
I – Natural History
22. Where They Come From
23. How They Lived
24. How It Was (1)
25. How It Was (2)
26. New Species (2)
27. New Species (3)
28. Chinese Birds (1)
29. Chinese Birds (2)
30. Chinese Birds (3)
II – Culture and Habits
31. Family Life (1)
32. Family Life (2)
33. Their Galleries (ShanghART)
34. Their Galleries (M50)
35. Their Religion
36. Their Women
III – Cuisine
37. Their Food (1)
38. Their Food (2)
39. Their Food (3)
40. Their Food (4)
41. Dessert (1)
42. Dessert (2)
VI. General Advice for Travellers
43. Don’t Eat
44. Never Buy Bootlegs
45. Never Get Into a Taxi Without an Address
46. Never Underestimate the Traffic